From where are you?
I'm from Bauru, São Paulo, Brazil.What is it that attracts you the most of what you have around you?
Describe some of your projects
My projects are all internal dialogues with my solitude. They are reflections of everything that I construct and deconstruct in myself. Each one speaks of a phase of my life, in moments that I felt the necessity of a conclusion or liberation of what happened to me.
Your main concept
What do you want to say by your art, why?
The poetry. I think my thoughts about my personal experiences, the coexistence with my children, and to see the world always from three different angles.
Time and transformation, the invisible unknown.
Maybe the reverse question, what does my art want to say to you and why?
Tell us about your experience as photographer what did it give you?
I started to photograph at the age of 7, using my dolls, building stories, deconstructing impossibilities ... And photography became an extension of my reflections...
Three adjectives to describe yourself.
Profound, Feminine, Nocturnal
A film, a book and a song
Zerkalo – Andrei Tarkovsky
Ariel – Sylvia Plath
Ballade No.4, Op.52 – F. Chopin
What camera do you use? lense?
Several, digital I like Nikon. But I use analog canon, Nikon, Zenith, Yashica Mat, and others. 35mm, 60mm, 24-70mm, mostly.
Do you sell prints? How do you make it and where can someone buy?
My works of art are available in limited edition for collectors, signed and numbered at The Print Atelier (Montreal), also through Art + Commerce and PhotoVogue, or by myself (nadiamphoto@gmail.com)
What was your most big success?
Motherhood, to receive my children in my life.
Favourite photographer.
Masao Yamamoto
What is your occupation, job, interest besides photography. describe it.
I live from photography and art, it's my job, my hobby, my interest, my life.
Which advice would you give someone who wants to become a (professional) photographer?
"Who looks outside, dreams; who looks inside, awakes." (C. Jung) ;)
Your plans.
A book, a house, a garden, a photo lab.
I'm from Bauru, São Paulo, Brazil.What is it that attracts you the most of what you have around you?
Describe some of your projects
My projects are all internal dialogues with my solitude. They are reflections of everything that I construct and deconstruct in myself. Each one speaks of a phase of my life, in moments that I felt the necessity of a conclusion or liberation of what happened to me.
Your main concept
What do you want to say by your art, why?
The poetry. I think my thoughts about my personal experiences, the coexistence with my children, and to see the world always from three different angles.
Time and transformation, the invisible unknown.
Maybe the reverse question, what does my art want to say to you and why?
Tell us about your experience as photographer what did it give you?
I started to photograph at the age of 7, using my dolls, building stories, deconstructing impossibilities ... And photography became an extension of my reflections...
Three adjectives to describe yourself.
Profound, Feminine, Nocturnal
A film, a book and a song
Zerkalo – Andrei Tarkovsky
Ariel – Sylvia Plath
Ballade No.4, Op.52 – F. Chopin
What camera do you use? lense?
Several, digital I like Nikon. But I use analog canon, Nikon, Zenith, Yashica Mat, and others. 35mm, 60mm, 24-70mm, mostly.
Do you sell prints? How do you make it and where can someone buy?
My works of art are available in limited edition for collectors, signed and numbered at The Print Atelier (Montreal), also through Art + Commerce and PhotoVogue, or by myself (nadiamphoto@gmail.com)
What was your most big success?
Motherhood, to receive my children in my life.
Favourite photographer.
Masao Yamamoto
What is your occupation, job, interest besides photography. describe it.
I live from photography and art, it's my job, my hobby, my interest, my life.
Which advice would you give someone who wants to become a (professional) photographer?
"Who looks outside, dreams; who looks inside, awakes." (C. Jung) ;)
Your plans.
A book, a house, a garden, a photo lab.
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