I’m a Munich-based artist who was born in Moscow, Russia.
What is it that attracts you the most of what you have around
you?
As a person who was born in such a huge metropolis like Moscow,
I would tell that urban environment in general is my cup of tea. The mundane
range of uncountable processes and scenes that is daily going on in the city,
touches me emotionally. The city as a structure, with its architecture,
intrigues, amuses and fascinates me.
Describe
some of your projects
My
recent photographic project is called Zwischenraum. It’s a german word that can be translated into
english as a 'gap', 'interval', 'space'. Zwischenraum is a city in the
moment of its change that never stops, but that is carefully documented. The
photographs seek to embrace the notion when a city is both a spectacular
place and our mundane, our here&now. This
project is an encounter between material, subtle and fleeting
within existing stillness of city
structures.
Previous project was called Barriers: A study
that is a series of instant photographs (I used Fujifilm Instax wide). I chose
a barrier as a distinctive feature of urban environment. Beginning with the
idea of just transporting personal fascination of barriers in the city streets
I ended up with quite versatile collection of shots. My approach in this series
varies from purely documentation of the street scenes to aestheticized attempts
to show the extreme beauty of mundane.
Your
main concept
My fascination with ordinary and trivial expresses itself in
photography. For me it is a tool for creating a vast documentation of fleeting
urban episodes that I face through my mundane. City or better to say cities are
my habitat and an essential part of my life.
So photography for me is a way to explore and reflect upon the
world I live in, upon the city I'm based in. My artistic practice is triggered
by mundane themes. With my focus on such things like shadows, temporary street
constructions, everyday, boring and other so-called imperfections I want to
shed light on importance of all kind of things. It is essential for me to broad
the scope of what can be described as beautiful or being worth attention. The
moments I document are present in the city but often left unnoticed. I try to
discover different layers of urban environment in order to demonstrate its
wonderful diversity, to give a voice to the elements that surround us the most
and simultaneously are the most hidden. My approach can be described as a
poetic notion on mundane.
what
do you want to say by your art, why?
My message can be characterised as a gentle invitation to look,
to notice, to experiment with ordinary. By discovering these fleeting and
hidden layers of things around us we change our perception of the environment
around us, we can understand it better and therefore improve it on personal and
even social level through slightly altering norms of what is beautiful, for
example.
Tell
us about your experience as photographer, what did it give you?
Photography became one of those media that resonated with the
subject of my interest since the very beginning of my studies. In my case, it
is film and instant photography. I was and still flashed by the imperfections
these types of photography can offer me. I take photographs since 2009 and my
visual style changed a lot since than. I was always interested in the theme of
urban environment and it took me long time to express my interest in a certain
visual manner that is close to intentions and expectations I have in my head. I
have my accounts on Flickr and Instagram, I appreciate nowadays opportunity to
show works to a bigger audience on the Internet. I'm very glad that due to
these sources I became a part of a bigger community of photographers from all
over the world interested in similar topics. In terms of technical aspects I'm
still quite philistine. My approach is more intuitive, I deliberately leave
space for the unpredictable and failure because perfection is not my purpose.
So I can say that my photographic approach teaches me to be open and tolerant.
Possible mistakes are welcomed.
Three
adjectives to describe yourself.
Sensitive, responsible, friendly
A
film, a book and a song.
Stalker by Andrei Tarkovsky, The Kindly Ones by Jonathan
Littell, It by Christine And The Queens
What
camera do you use? lense?
Currently I use Cosina CT1 Super film camera and l used a lot
before Smena 8m, both with their prime lenses. I also use Fujifilm Instax wide
and Polaroid 600 series.
Tell
about exhibition if you‘ve had any.
I took part in a number of group exhibitions and were published
by a couple of independent photozines. Most of the exhibition I took part were
done with the peer students during my studies or through collaborations.
Performances in the urban environment is another aspect I develop. So these two
directions go simultaneously in my practice. Nowadays one of the most essential
activities for every artist is applying, applying and applying. I am not an
exception. So I am always very glad when I get chosen or simply invited to be
published or exhibited. It’s amazing when you get in contact with other
photographers you have never actually met in real. You both communicate through
the Internet and do small collaborations or simply exchange opinions and become
colleagues.
Do
you sell prints? How do you make it and where can someone buy?
I
was never selling prints before but I was always wanting to do that. So maybe
this interview will initiate this aspect. Anyone who is interested in prints of
my works could write me at dadadanner@gmail.com. I would be very glad!
What
was your most big success?
To
love and to be loved.
Favourite
photographer.
Ludwig
Danner, a very productive photographer whose works touch the similar topic of urban environment
but in a much more precise and sophisticated way then mine. He is an endless
source of my inspiration.
What
is your occupation, job, interest besides photography. describe it.
I
was trained as an artist, so I suppose this is my main occupation. I’ve
graduated 1,5 year ago and now on the way to establish my art practise. My
interests include mostly art sphere, especially contemporary dance, performance
and theatre. Everyday I need to know what is going on in the museums, cinemas
and theatres around me. I try to keep my finger on the pulse of contemporary
culture. I am also a passionate fashion lover.
Which
advice would you give someone who wants to become a (professional)
photographer?
I
would dare to say that art in any of its forms is first of all about discipline
and working hard and systematically. So my advice is to do, to evaluate the
result, to keep doing and not to postpone. And always keep reflecting upon the
things that are already done. Subject matter should always be in focus, first it
can be pretty wide but later through the increasing work it will get more
narrow and more precise. So one should maybe keep in mind that she or he has
stepped into a journey to explore something that touches and triggers her or
him and, again, just keep going by working every day.
Your
plans.
To
work more, to reflect more and to write it down, to read more. But especially
to keep on learning German, i can confess that this is the hardest aim!
