Wednesday, June 22, 2016

Interview with photographer Andy Mellor



About you:
I am a photographer living in the Northwest of England.

What is it that attracts you the most of what you have around you?  
The simple stories that can be found in everyday life, to try and rationalize these stories and make sense of the reason why.

Describe some of your projects.
I think to describe individual projects would be difficult but within my projects I like to explore the landscape particularly the constructs surrounding landscape. The landscape has a huge impact on society without there being the full realization of its impact on an individual. Social and ploitcial constructs are set up surrounding the land we inhabit and I like to try and explore with photography the impact that it has on society.

Your main concept.
My photography explores natural and man-made environments, and the interaction between the two with concerns over how we use the landscape and the social and political issues surrounding it. Often exploring change and human impact. I am drawn to ordinary places, seeking to find interest in everyday spaces.

Tell us about your experience as a photographer what did it give you?
When I started in photography I shot anything and everything without any rhyme or reason it was only after studying for my degree did I start to understand the power of photography. It was then that I started to realize that photography was a tool I could use to explore subjects that interested or concerned me.

Three adjectives to describe yourself.
Determined, Stubborn, Creative

A film, a book and a song
Black Snake Moan – Directed by Craig Brewer
Ansel Adams Photography Series
Walking Blues – Robert Johnson 

What camera do you use?  lense?
I have many cameras from digital to polaroids and at one point or another I use them all but I mainly use a Yashicamat medium format camera. I have grown fond of cameras that have limited functionality.

Tell about exhibition if you‘ve had any.
I have been in a few group exhibitions and at the end of June I am going to be in an exhibition called Develop North that is hosted by Grays School of Art who have also partnered with Aberdeen City Council and Metro Imaging.

Do you sell prints? How do you make it and where can someone buy?
Yes I do you can contact me at andy@andrewmellorphotography.com. All my prints are printed at a pro lab.

What was your most big success? 
I think success is hard to measure I just feel lucky to have had my work featured and exhibited in some great places.

Favourite photographer.
Just one……. It would have to be Joel Sternfeld or Stephen Shore. I am also a big fan of Christian Pattersons  and Daniel Sheas work.

What is your occupation, job, interest besides photography. describe it.
I am a photographer. I also enjoy woodworking, cooking and playing guitar.    
    
Which advice would you give someone who wants to become a (professional) photographer?
Only shoot the subjects and stories that your passionate about. If you are not passionate about your subject then it will show in the work.

Do you work as photographer? 
Yes         
                                 
Your plans.
Only to keep producing work.

http://www.andrewmellorphotography.com/






























Monday, February 15, 2016

Interview with photographer Angela Sairaf




About you:
I’m a photographer. Everything else (and also this!) are just labels.

What is it that attracts you the most of what you have around you?  
Simple things.

Describe some of your projects
Well... actually I don´t like to describe my projects/pictures. So, I’d rather speak about why I don´t like to describe them. For me it is very difficult to explain in words what I show with images. Sometimes I’m forced to do it by market requirements, but it´s not my natural way of being. Only in a few cases, I think it´s important to give some direction to the viewer.
I think the best way to understand visual arts is the intuition - and anyone can use it!  In this case, you have a direct understanding and words became unnecessary. Almost always, when I make a picture, I don´t rationalize about what or why I’m doing it. I just do it. And it´s enough. There are many other artists who also work this way. Art is full of shortcuts where reason has no place. I like to compare artistic photography with instrumental music: In general, people don´t ask a musician to describe their songs. They just listen and feel it. It´s very funny how in visual arts, people ask us to describe our projects all the time, as if words were a kind of key to access the images. You would need them if you were blind, if not you can simply see and feel it.  For me, words and images don´t need to go together and many times when someone asks me about a project and I answer with a short sentence, I invariably hear “tell me more about it”. I guess this is a profound theme to investigate because it reflects the state of our society: with so much mental chatter, people are losing the ability to feel. People used to expect explanations that fits their perception of things. 
           
Your main concept.
I never thought about it. I guess I don´t have it!

Tell us about your experience as photographer what did it give you?
Photography gave me a big sense of responsibility. I started making pictures when I was 6 years old, and I started to work as a photographer when I was 18. For about 15 years I worked for magazines and model agencies, so I made a lot of portraits. One day I was making a portrait of a woman who was about 60 years old.  She had a very hard expression. I was speaking with her trying to relax her for the photo essay when she told me she didn´t like to smile, because when she was 15, a photographer said to her that she didn´t look good smiling. I asked her: ¨And did you trust him?¨ When I gave her the pictures, some days after, she told me: ¨Hey! I love this one in which I am smiling!¨. Since that day I understood how a silly opinion could affect a person´s life and became very careful in order to give positive feedback to whoever was in front of my camera; and in general. It is a big responsibility. Sometimes people who I made a portrait of many years previously, write to me and say that they never forgot the day of their photo session, that somehow it had changed their lives and they are so grateful about this. When it happens I think I did it well. I guess this is the best thing photography gave me. Until now... 

Three adjectives to describe yourself.
Quiet, Simple, Intense

 A film, a book and a song
Children of Heaven, directed by Majid Majidi
The Passion According to G.H., by Clarice Lispector 
Canción de Amor, by Paco de Lucía

What camera do you use?  lense?  
One day a friend who is also a photographer told me that photographers are very promiscuous. We were talking about equipment and I guess he is right. I worked for 20 years with analog cameras. I used to have a Nikon FM II and a Hasselblad. Since 2006 I changed to digital and now I use a Canon 5D Mark II (lenses according to the picture I want to make). I also use a Canon G1X and my iPhone. Or any other camera I can have in my hands... I´m not loyal to brands and I´m unpredjudiced about them.

Tell about exhibition if you‘ve had any.
I`d prefer to speak about the next ones. In March will be inaugurated two solo exhibitions, both in Spain. The first one is “The Secret life of Tapuicacas” - a conceptual work- at Ignacio Barceló Gallery, in Córdoba. The second one is “Izabel”, a documentary about a Brazilian homeless woman that will be shown at CEB/ University of Salamanca.

Do you sell prints? How do you make it and where can someone buy?
I do. My work is available to purchase. People can contact me directly through my website and sometimes some pictures are available in commercial galleries.

What was your most big success? 
I don´t know. Maybe been alive and kicking!

 Favourite photographer.
Only one? I can´t... sorry... I had the chance to learn from such geniuses as Joan Fontcuberta, Isabel Muñoz, Cristina García Rodero, Sebastião Salgado, Evgen Bavcar, Gerardo Nigenda, Chema Madoz...  and others who time doesn´t allowed me to meet in person: André Kertész, Cartier-Bresson and quite a lot of others...

 What is your occupation, job, interest besides photography. describe it.
I like to walk, to sing, to travel, to be with people who smile with their eyes before than with their mouth...

 Which advice would you give someone who wants to become a (professional) photographer?
Love and dedication. And after this, more love and more dedication.

Do you work as photographer? 
Yes, since I was 18.

Your plans.
I don´t make plans.
































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